Архив постов: February 2021

L.A. and V.V. Loboda. Sheet O (From the book of engravings “FATA MORGANA”). Linocut

February 9, 2021

Loboda Lyudmila Anatolyevna,
Loboda Vladimir Viktorovich
Creation period:
1985
Material, technique:
colored linocut, paper
The size:
15.7×10.2; 19.4 x 13.1 cm
Place of creation:

Number in the State Catalog:
7027911
KP number (GIK):
KP-1017/12
Inventory number:
Г-3606/12

L.A. and V.V. Loboda. Sheet d (From the book of engravings “FATA MORGANA”). Linocut

February 9, 2021

Loboda Lyudmila Anatolyevna,
Loboda Vladimir Viktorovich
Creation period:
1985
Material, technique:
colored linocut, paper
The size:
15.7×10.2; 19.4 x 13.1 cm
Place of creation:

Number in the State Catalog:
7027910
KP number (GIK):
KP-1017/5
Inventory number:
Г-3606/5

L.A. and V.V. Loboda. Sheet e (From the book of engravings “FATA MORGANA”). Linocut

February 9, 2021

Loboda Lyudmila Anatolyevna,
Loboda Vladimir Viktorovich
Creation period:
1985
Material, technique:
colored linocut, paper
The size:
15.7×10.2; 19.4 x 13.1 cm
Place of creation:

Number in the State Catalog:
7027909
KP number (GIK):
KP-1017/7
Inventory number:
Г-3606/7

L.A. and V.V. Loboda. Sheet d (From the book of engravings “FATA MORGANA”). Linocut

February 9, 2021

Loboda Lyudmila Anatolyevna,
Loboda Vladimir Viktorovich
Creation period:
1985
Material, technique:
colored linocut, paper
The size:
15.7×10.2; 19.4 x 13.1 cm
Place of creation:

Number in the State Catalog:
7027908
KP number (GIK):
KP-1017/6
Inventory number:
Г-3606/6

L.A. and V.V. Loboda. Sheet a (From the book of engravings “FATA MORGANA”). Linocut

February 9, 2021

Loboda Lyudmila Anatolyevna,
Loboda Vladimir Viktorovich
Creation period:
1985
Material, technique:
paper, colored linocut
The size:
15.7×10.2; 19.4 x 13.1 cm
Place of creation:

Number in the State Catalog:
7027907
KP number (GIK):
VOKHM KP-1017/2
Inventory number:
G-3606/2

L.A. and V.V. Loboda. Sheet C (From the book of engravings “FATA MORGANA”). Linocut

February 8, 2021

Loboda Lyudmila Anatolyevna,
Loboda Vladimir Viktorovich
Creation period:
1985
Material, technique:
colored linocut, paper
The size:
15.7×10.2; 19.4×13.1
Place of creation:

Number in the State Catalog:
7027906
KP number (GIK):
KP-1017/13
Inventory number:
Г-3606/13

L.A. and V.V. Loboda. Sheet b (From the book of engravings “FATA MORGANA”). Linocut

February 8, 2021

Loboda Lyudmila Anatolyevna,
Loboda Vladimir Viktorovich
Creation period:
1985
Material, technique:
colored linocut, paper
The size:
15.7×10.2; 19.4 x 13.1 cm
Place of creation:

Number in the State Catalog:
7027905
KP number (GIK):
KP-1017/3
Inventory number:
G-3606/3

L.A. and V.V. Lobod L.A. and V.V. Loboda. Sheet and (From the book of engravings “FATA MORGANA”). Linocut.

February 8, 2021

Loboda Lyudmila Anatolyevna,
Loboda Vladimir Viktorovich
Creation period:
1985
Material, technique:
colored linocut, paper
The size:
15.7×10.2; 19.4 x 13.1 cm
Place of creation:

Number in the State Catalog:
7027904
KP number (GIK):
KP-1017/9
Inventory number:
Г-3606/9

February 20th. Master class “Volume postcard” (8+)

February 5, 2021

February 20 VOKhM them. I.N. Kramskoy invites you to a master class “Volume postcard” dedicated to the Defender of the Fatherland Day (8+).

Have you already thought about what to give men on their holiday? We will help you with the answer! We suggest you create an original 3D postcard with your own hands.
For work we need:

Paper
Watercolor paints
Markers
With the help of these simple materials, we will create a whole volumetric composition in a postcard. You can come up with your own story or use our design ideas, depicting a pilot, tanker or sailor. Such cards will not leave anyone indifferent, because they keep the warmth of your hands!

The lesson is led by Olga Remez, a senior researcher at the museum. Artist, teacher. Graduated from the Voronezh Art School (technical school). He is fluent in various graphic and painting techniques. An active participant in exhibitions, creative competitions and plein airs.

The beginning of the lesson is 12.00. Duration 90 minutes.
The cost is 400 rubles. (200 rubles – master class + 200 rubles entrance ticket to the museum).

Before buying a ticket online, you must sign up by phone: 8 (473) 255-50-81.
ATTENTION! Electronic tickets will be available the day before the event!
Limited number of seats!

Rizzoni Alexander Antonovich

February 4, 2021

04.02.1836 – 29.04.1902

Alexander Antonovich Rizzoni – Russian genre, portrait painter, academician, professor of the Imperial Academy of Arts. One of the greatest masters of academic painting in Russia in the second half of the 19th century: he worked as a genre painter, landscape painter, portrait painter, created the so-called female “heads”. His works are distinguished by a high level of professional skill – the consistency of compositional and coloristic solutions, careful writing of details.

Born into the family of an Ostsee artisan of Italian origin, a native of Bologna – Anton Alexandrovich Rizzoni. Alexander’s elder brother – Pavel Antonovich (1822-1913) – academician of painting at the Imperial Academy of Arts.
A. Rizzoni received his primary education at the Riga district school and the first acquaintance with drawing and painting from his brother Pavel, in 1852 he entered the students of the Imperial Academy of Arts, where he was a student of Professor B.P. Villevald.

During his studies, he twice traveled abroad at his own expense, in 1858 he traveled to Italy and France, in 1860 he visited Spain and Belgium. Received all existing academic awards: in 1857 – a small silver medal for graphic portraits of A.P. Shvabe, O.V. Shvabe, E.K. Frikke and the painting “Musicians in the Tavern (Tavern)”, in 1858 – a large silver medal for the painting “The Italian organ-grinder in the tavern”, in 1860 – a small gold medal for the painting “Smuggling Jews”, in 1862 – a large gold medal for the painting “Auction in the Livonian village”. He was released with the title of class artist of the 1st degree and the right to retirement travel abroad for a period of three years. In 1863-1866 he traveled to France and Italy. Exhibited his work at the Paris Salon (1865-1866).

In 1866 he returned to St. Petersburg, presented to the Council of the Academy of Arts eight miniature paintings depicting the internal views of the synagogue, Roman stables and various commercial establishments; was awarded the title of academician for them and received an extension of the pensioner pay until 1868. In the same year, he held a personal exhibition in Tsarskoe Selo. In late 1866 – early 1867, he traveled across Russia, collecting material for paintings on the themes of folk life. In 1867 he visited the World Exhibition in Paris. He worked in Paris and Rome, visited Spain and Portugal. In 1868, for eleven paintings depicting various scenes from Italian life, he was awarded the title of professor, but did not engage in teaching.

After the expiration of his retirement period, from 1869, he finally settled in Rome, where he lived until his death, periodically coming to Russia. Participated in exhibitions of the Moscow Society of Art Lovers (member of the MOLH since 1867). Exhibited his works at the World Exhibition in Vienna (1873). In 1878 he held a personal exhibition in St. Petersburg. He was friends with P.M. Tretyakov, to whom he helped in the formation of the collection, assisting in the acquisition of works by K.P. Bryullova, S.F. Shchedrin.

He committed suicide in 1902 and was buried in the Monte Testaccio cemetery in Rome.

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