Voronezh Regional Art Museum. I.N. Kramskoy
Voronezh Regional Art Museum. I.N. Kramskoy
Phone for information, book a tour:
+7 (473) 255-38-67
Menu
Voronezh Regional Art Museum. I.N. Kramskoy
+7 (473) 255-38-67
Painting, graphics from the collection of the State Tretyakov Gallery, State Russian Museum, Tula Museum of Fine Arts
September 13 at 4 pm in the exhibition hall of the VOKhM named after I.N. Kramskoy within the framework of the X International Platonic Festival of Arts the opening of the exhibition “Alexander Drevin and Nadezhda Udaltsova. Painting, graphics “.
On the opening day, admission to the exhibition is free.
Alexander Drevin (1889-1938) – painter, graphic artist, teacher. Drevin came from a Latvian-German family, studied in Riga – first at a nautical school, then at an art school. As one of the leaders of the Russian avant-garde, he participated in many art associations: “Green Flower”, “World of Art”, “Jack of Diamonds”, “Thirteen” and others. Drevin’s paintings were exhibited at the First Russian Art Exhibition in Berlin (1922), at 14 th Biennale in Venice (1924).
In his early works, one can see searches in the mainstream of post-impressionism, primitivism, rayonism, the artist creates both non-objective abstractions and figurative works, later he turns to landscapes and portraits in a more expressive manner.
The result of numerous creative trips to Altai, the Urals, Armenia, Kazakhstan in the 30s – landscapes in which Drevin’s interest in the picturesque problems of color, its saturation, texture is manifested – is subjected to harsh criticism for formalism. In 1938, Alexander Drevin was shot on a trumped-up charge related to the activities of the Latvian cultural and educational society “Prometheus”.
“Drevin’s painting is a chronicle of futile attempts to get used to the world.” New Newspaper
The daughter of a tsarist officer, the future “Amazon of the Russian avant-garde” Nadezhda Udaltsova (1886-1961) studied at private Moscow studios and the Parisian academy “Le Palette”. Her early work clearly showed her fascination with the “isms” of the beginning of the last century – Cubism, Suprematism, Impressionism. Together with her husband Alexander Drevin she worked at the People’s Commissariat for Education, taught at VKHUTEMAS and Inkhuk. The trips made in the 30s helped Udaltsova to develop a restrained, but dynamic expressionism, special in color and mood.
In the late, “quiet” period of creativity Udaltsov, already in the status of the wife of an enemy of the people, not knowing about his death, continues to paint. The more tragic are the realistic flowers and fruits of the late period of the Russian avant-garde woman.
“In the best things, the spouses achieved a deafening effect – the connection of human consciousness with the wild nature, which has already ceased to be a native home, but still allows you to feel its true greatness. If you look for analogies, you can recall the writings of Andrei Platonov – more precisely, about those pages where characters indulge in reflections about the place of homo sapiens in the Universe. Newspaper.ru
At both exhibitions of the festival “Alexander Drevin and Nadezhda Udaltsova. Painting, graphics “and” Mikhail Prekhner. Photo avant-garde of the 1930s ”there is a single ticket:
Full – 200 rubles
Preferential (pensioners, schoolchildren, students) – 160 rubles
The exhibition will run until October 4, 2020.
ATTENTION!
Exhibitions work according to the museum’s working hours:
Wednesday, Saturday, Sunday 10:00 – 18:00
Thursday 12:00 – 20:00
Friday 11:00 – 18:00
Monday, Tuesday – closed
The ticket office closes 20 minutes before the end of the exhibitions.
No more than 20 people are allowed in the exhibition hall at a time.
Visitors need a mask.
The work of exhibitions is carried out in the mode of self-examination.
Multimedia Art Museum, Moscow
September 13 at 4 pm in the exhibition hall of the VOKHM named after I.N. Kramskoy within the framework of the X International Platonic Festival of Arts the opening of the exhibition “Mikhail Prekhner. Photo avant-garde of the 1930s ”.
On the opening day, admission to the exhibition is free.
Mikhail Prekhner (1911-1941) is an outstanding representative of the Russian avant-garde, one of the classics of Russian constructivist photography, a contemporary of Alexander Rodchenko and Andrei Platonov.
The magazines Prekhner collaborated with – Radio Listener, Moscow Says, and USSR in Construction – marked the golden age of Soviet graphic design.
After the success at the exhibition “Masters of Soviet Photographic Art” in 1935, after the publication in “Soviet Photo” of a separate material, which noted the combination of Rodchenkov’s sharp angles with Prechner’s lyricism and freshness of intonation, after a silver medal at an exhibition in Antwerp, it seemed that there was a long life ahead and a bright career …
Mikhail Prekhner died while filming the battles for Tallinn in the first year of World War II. His artistic legacy was forgotten for a long time.
The photographs of Mikhail Prekhner, saved thanks to the archive of his daughter, were presented in the projects of the Union of Photographers at group exhibitions in recent years: “The Age of Optimism”, “Beach”, “Gnu Antelope”, “Art and Propaganda in Soviet Photography” and others. The first personal exhibition of the author was held in the “PhotoSoyuz” gallery of the Union of Russian Photographers in the spring of 2008. Subsequent retrospective solo exhibitions were presented at MAMM in 2013 and 2018, which now houses a collection of the photographer’s work.
The exhibition “Mikhail Prekhner …” presents photographs taken in the 30s, as well as several photographs from 1940-1941, created for the album “The First Cavalry Army”, reports from the I Congress of Soviet Writers and about the new Moscow, pictures from trips to the assignment of the magazines “USSR in construction” and “In construction of MTS and state farms.”
Pre-war photographs, carefully attributed by MAMM employees, provide an opportunity to get acquainted with Soviet modernism in photography.
The Multimedia Art Museum, Moscow (MAMM) is a museum and exhibition complex, the first museum in Russia specializing in photography, video and media art. Founded in 1996. The museum has hosted exhibitions of such photographers as Georgy Petrusov, Henri Cartier-Bresson, Annie Leibovitz and many others. Repeated participant of the Platonov Arts Festival.
At both exhibitions of the festival “Alexander Drevin and Nadezhda Udaltsova. Painting, graphics “and” Mikhail Prekhner. Photo avant-garde of the 1930s ”there is a single ticket:
Full – 200 rubles
Preferential (pensioners, schoolchildren, students) – 160 rubles
The exhibition will run until October 4, 2020.
ATTENTION!
Exhibitions work according to the museum’s working hours:
Wednesday, Saturday, Sunday 10:00 – 18:00
Thursday 12:00 – 20:00
Friday 11:00 – 18:00
Monday, Tuesday – closed
The ticket office closes 20 minutes before the end of the exhibitions.
No more than 20 people are allowed in the exhibition hall at a time.
Visitors need a mask.
The work of exhibitions is carried out in the mode of self-examination.
Hechter Jean Francois Theodore
Creation period:
1842
Material, technique:
bronze, casting
The size:
38.0×35.0x19.0 cm
Place of creation:
–
Number in the State Catalog:
20401416
GIK number (KP):
VOKHM KP-10435
Inventory number:
Sk-502 / a
Hechter Jean Francois Theodore
Creation period:
1842
Material, technique:
bronze, casting
The size:
23.5×30.0 cm
Place of creation:
–
Number in the State Catalog:
20401437
GIK number (KP):
VOKHM KP-10436
Inventory number:
Sk-502 / b
Unknown master
Creation period:
19th century
Material, technique:
marble, sculpture
The size:
106.0×23.0x28.0 cm
Place of creation:
Germany country
Number in the State Catalog:
20401426
GIK number (KP):
VOKHM KP-10467
Inventory number:
SK-580
Unknown master
Creation period:
Not dated
Material, technique:
bronze, casting
The size:
1.2×4.3 cm
Place of creation:
–
Number in the State Catalog:
20401431
GIK number (KP):
VOKHM KP-10456
Inventory number:
Sk-542 / b
Unknown master
Creation period:
Not dated
Material, technique:
bronze, casting
The size:
6.0×2.5 cm
Place of creation:
–
Number in the State Catalog:
20401425
GIK number (KP):
VOKHM KP-10455
Inventory number:
Sk-542 / a
Unknown master
Creation period:
Not dated
Material, technique:
clay
The size:
4.5×4.0 cm
Place of creation:
–
Number in the State Catalog:
20401423
GIK number (KP):
VOKHM KP-10457
Inventory number:
Sk-550
Unknown master
Creation period:
19th century
Material, technique:
marble, sculpture
The size:
37.0×25.0 cm
Place of creation:
–
Number in the State Catalog:
20401422
GIK number (KP):
VOKHM KP-10421
Inventory number:
Sk-493
Unknown master
Creation period:
Not dated
Material, technique:
plaster, modeling
The size:
8.0×4.8 cm
Place of creation:
–
Number in the State Catalog:
20401418
GIK number (KP):
VOKHM KP-10465
Inventory number:
Sk-563