Архив постов: January 2021

An anti-terrorist security briefing was held for the museum staff

January 29, 2021

January 28, 2021 at the V. I.N. Kramskoy, within the framework of work on anti-terrorist protection by the museum security specialist V.I. Kovalev instructed museum staff on anti-terrorist security.

A.V. Presnyakov. Light behind the bridge. From the series “Human Footprint. Amur region”. Etching

January 25, 2021

Presnyakov Alexander Vladimirovich
Creation period:
1987
Material, technique:
paper, etching, aquatint
The size:
55.0×63.0 (39.4×49.3) cm
Place of creation:

Number in the State Catalog:
17128406
KP number (GIK):
VOKHM KP-1393/1
Inventory number:
G-3899/1

The museum opened the exhibition “FOTUM” – 10 years “

January 22, 2021

January 21, 2021 at the Voronezh Regional Art Museum. I.N. Kramskoy opened an exhibition dedicated to the anniversary of the photo club “FOTUM”, which presents art photographs created by members of the club.

Visitors will be able to see more than 130 works of different genres, as well as photography, photo painting, abstract photography.

Almost all the participants in the exhibition are students of Vladimir Golub, graduates of the author’s photography school. Many of them are recognized masters of photography, winners and laureates of prestigious international and Russian photography contests. There are also newcomers who have only recently graduated from Vladimir Golub’s Photo School and have joined the ranks of the “photumists”. Among the exhibitors there are physicists, programmers, biologists, chemists, economists, doctors, journalists, artists, professional photographers, but they all have one thing in common – a love of photography.

Among the first visitors to the exhibition were the authors of the works presented, as well as the head of the photo club Vladimir Golub.

Nissky Georgy Grigorievich

January 21, 2021

21.01.1903 – 18.06.1987

Born at Novobelitsa station near Gomel, Mogilev province of the Russian Empire, in the family of a station paramedic.

His first teacher was the Vladimir icon painter Petrov. Local artist-student Zorin introduced Georgy Nyssa to the works of the World of Art artists. In 1919, Nyssa entered the Gomel art studio of the Gubpolitical Education named after M.A. Vrubel, where, under the leadership of A. Bykhovsky for the first time “faced with the concepts of color, image and composition.”

In 1921 he was sent to Moscow and entered preparatory courses at the Higher Artistic and Technical Workshops (VKHUTEMAS, 1923-1930).

In 1923 he moved to the painting department, where R.R. Falk and A.D. Drevin. In parallel with his studies, he worked in a printing house, paid a lot of attention to sports, in particular, volleyball.

In 1926 he met Alexander Deineka. At this time, under the influence of the OST style, as well as the creativity of A. Deineka and A. Marke, the unique pictorial style of George of Nyssa was formed, the features of which are the laconicism, dynamics and heartfelt lyricism of his landscapes.

In 1928 he made his first trip to the Black Sea to Novorossiysk to collect material for his thesis. In 1930 he graduated from VKHUTEMAS, diploma work – “International at” Jean Bar “. The uprising of French sailors in Odessa ”(Tretyakov Gallery), dedicated to the Black Sea mutiny.

He spent the end of 1930 and 1931 at OKDVA, designed wall newspapers, made posters and panels. In 1936, together with A. Deineka, G. Ryazhsky and F. Bogorodsky, he traveled to Sevastopol and Balaklava for sketches, flew in airplanes, went on high-speed boats and a submarine.

The plots of the first well-known works of Nyssa, written in the early 1930s, are apparently inspired by memories of childhood passed at the station, the theme of the railway prevails in them: “Autumn. Semaphores “(1932),” On the Ways “(1933),” October “(1933).

However, in the second half of the 1930s, the artist turned to the marine theme. Nyssa painted seascapes (marinas), and in the 1940s – sea battle compositions (“Maneuvers of the Black Sea Fleet ships”, 1937; “The sinking of the fascist transport”, 1942; “On the roadstead”, 1949). In addition to painting, Nyssa illustrated a lot and remained faithful to the marine theme in illustration (Tsushima by AS Novikov-Priboy, Sea Soul by LS Sobolev).

In the postwar years, Nyssa turned to landscape landscape, he painted snow-covered forests, railways. Stations and trains began to appear more and more in his landscapes. Being a keen yachtsman (Nyssa owned a small trophy yacht-dinghy “Nerpa”), he painted the expanses of water.

Nyssa traveled extensively around the country; the impressions received by the artist on trips, he vividly and vividly embodied in his canvases. For example, a picture seen from the window of a fast-moving train was reflected in the composition “In the Far East” (1963), triptych “Port in the North” (1956-57).

In recent years, Georgy Grigorievich was seriously ill. Died in 1987. Buried in Moscow.

A.V. Presnyakov. Sunset. From the series “National cause”. Etching

January 19, 2021

Presnyakov Alexander Vladimirovich
Creation period:
1988
Material, technique:
paper, colored etching
The size:
60.5×53.5 (48.5×42.5) cm
Place of creation:

Number in the State Catalog:
17128403
KP number (GIK):
VOKHM KP-4356/3
Inventory number:
G-4803/3

A.V. Presnyakov. Light behind the bridge. From the series “Human Footprint. Amur region”. Etching

January 19, 2021

Presnyakov Alexander Vladimirovich
Creation period:
1987
Material, technique:
paper, etching, aquatint
The size:
55.0×63.0 (39.4×49.3) cm
Place of creation:

Number in the State Catalog:
17128401
KP number (GIK):
VOKHM KP-1393/2
Inventory number:
G-3899/2

A.V. Presnyakov. On the edge. From the series “Human Footprint. Amur region”. Etching

January 19, 2021

Presnyakov Alexander Vladimirovich
Creation period:
1987
Material, technique:
paper, etching, aquatint
The size:
53.0×61.0 (39.0×49.0) cm
Place of creation:

Number in the State Catalog:
17128402
KP number (GIK):
VOKHM KP-1392/1
Inventory number:
G-3898/1

A.V. Presnyakov. Red forest. From the series “National cause”. Etching

January 19, 2021

Exhibition “FOTUM” – 10 YEARS “

January 14, 2021

January 21, 2021 in the exhibition hall of VOKhM named after I.N. Kramskoy will open an exhibition “FOTUM – 10 years”.

The jubilee exhibition of art photography “Fotum” – 10 Years “presents selected works of members of the” Fotum “photo club, made in various genres: from portrait to still life, from landscape to reportage, as well as photography, photo painting, abstract photography. This makes it possible to see different approaches to photography, different techniques – to see the world through the prism of feelings, emotions, perception of the authors, expressed in the form of aesthetically significant photographic images. A total of about 130 works.

Almost all the participants in the exhibition are students of Vladimir Golub, graduates of the author’s photography school. Many of them have become recognized masters of photography, winners and laureates of prestigious international and Russian photography contests. Among them are members of the Union of Photographers of Russia, the International Light Painting World Alliance, and the Union of Wildlife Photographers. There are also newcomers who have only recently graduated from Vladimir Golub’s Photo School and have joined the ranks of the “photumists”.

Photo club “Fotum” was organized in 2011 by Vladimir Golub and his students. They are very different – physicists, programmers, biologists, chemists, economists, doctors, journalists, artists, professional photographers, but they all have one thing in common – a love of photography.

Prominent photographer Alfred Stiglitz once said: “I would like to draw your attention to the most popular misconception about photography – the term“ professional ”is used for supposedly successful photographs, the term“ amateur ”for unsuccessful ones. But almost all great photographs are taken – and have always been – taken by those who followed photography in the name of love – and certainly not in the name of profit. The term “amateur” just implies a person working in the name of love, so the fallacy of the generally accepted classification is obvious”.

As part of the exhibition, creative meetings and lectures will be held:

January 23 at 14.00. Dmitry Matveev – “Computational Photography”.
January 30 at 14.00. Andrey Lopatin – “Psychophysiology of Creative Photography”.
06 February at 14.00. Konstantin Kiriakidi – “About a portrait and about a ballet”.
February 13 at 14.00. Vera Sidelnikova – “Photography in the Interior”.

Venue: Exhibition Hall, 2nd Floor.

ENTRANCE by ticket100 rubles. You can buy an e-ticket for a lecture (master class) here

Visit cost:

Full ticket – 150 rubles.
Discount ticket (pupils, students, pensioners) – 100 rubles.
Members of the Union of Photographers, Members of the Union of Artists (upon presentation of a certificate) – free of charge.
Photography: mobile devices, camera (without flash) – free of charge.

ATTENTION! Purchase tickets ONLINE only.

Project partners:
General information partner – TV-Guberniya TV channel
Information partner – “Our radio – Voronezh”
Partners: Seiko Epson Corporation, RIAN-foto – Voronezh, Andrey Parfenov’s studio, Regional Youth Center.

The exhibition will run until February 21, 2021.

* The author of the photo on the cover is Anastasia Kolesnikova.

A.V. Presnyakov. Above a river. From the series “Human Footprint. Amur region”. Etching

January 11, 2021

Presnyakov Alexander Vladimirovich
Creation period:
1987
Material, technique:
paper, etching, aquatint
The size:
61.0×53.0 (49.0×39.3) cm
Place of creation:

Number in the State Catalog:
17128389
KP number (GIK):
VOKHM KP-1391/1
Inventory number:
G-3897/1

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